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Behind the board with... Paul 'Pab' Boothroyd
API staff
Oct 18
Paul ‘Pab’ Boothroyd is one of the UK’s leading live sound engineers, and after being taken the wing of the late Peter Grainger, has worked with some of the world’s top musicians including Dire Straits and AC/DC. He is however, now best known for his work with Paul McCartney.
Which band/project are you currently working on?
I am currently working with Faith Hill, Paul McCartney and then Pink.
Where are you at the moment?
In my kitchen eating cheese on toast, luuurvely.
What audio console are you utilising? And how many channels?
I have been using the Digidesign Profile in a 96-channel configuration.
What decision process was behind the choice of this audio console?
Big packages, small space, hmmm a bit like me. OK, OK it does sound really good
Do you utilize any outboard effects/EQ, and if so, what are they used on and why?
I have everything I need within the onboard EQ and dynamics, but the Plug-in tools are F’in amazing. And Fun.
Favourite PA system?
One that is doing the job it’s suppose to, Good headroom, coverage and I don’t care about it being able to fit the dance floor of the truck.
Favorite venue/festival?
London O2 and a dry Glastonbury.
Best toy you take on tour? (Can be audio… can be a ice-machine)
My trusty Ivie IE-30A spectrum analyzer.
Worst professional experience?
Losing my partner in crime at the other end of the multi’s… Miss yer John x
Career highlight?
Being the first and only person to have mixed a live performance to a space vehicle (Paul McCartney from ‘The Pond’ in Anaheim Ca through to the Expedition 12 crew in the International Space Station).
What really pisses you off when you’re working?
Reflections.
What makes you happy when working?
No Reflections.
With hindsight, what job would you have chosen for yourself?
I can’t complain, I have met so many nice people and had a lot of fun around (and outside) the planet, and been paid for it.
And… if you weren't working now, you'd be?
In my kitchen eating cheese on toast. Goodnight.
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