Features
RSS Feed
COMPANY PROFILE: Ohm Professional Sound Systems
Clive Kinton talks about Ohm's change of direction
Jan 8
UK loudspeaker manufacturer Ohm has been producing world-class products since the 1970s. With a thriving export business and pro audio products galore, it is quietly establishing a major international presence. Gary Cooper talks to Ohm’s Clive Kinton about changing gears…
Audio Pro readers with elephantine memories will remember the Cheshire-based Ohm company from long ago – back in the 1970s, in fact, when its distinctive products were closely associated with the MI sector of the business. Though Ohm never went away (far from it, it turns out), the company seems to have hidden its light under a bushel in recent years, busily developing a thriving export business in 15 countries and moving into the pro end of audio with a comprehensive range of vertically integrated products – yet not seeking a great deal of publicity back home.
Recent months have seen a change of direction, at least in a marketing sense, explains sales manager, Clive Kinton, with a new advertising campaign designed to raise awareness of just how large a company Ohm has become and a range of products and expertise that might surprise some.
“The company came from the MI side of the business and today has moved into installation and live sound rental, with about 80 per cent of our business in the former,” he says.
This is a traditionally more robust area and Kinton reveals how he is finding the recent climate in installation.
“It does seem that whatever happens in the economy, people seem to go out and spend money. I’ve just had some customers from Finland over for the weekend to look at some club installations we’ve done and everywhere we've taken them has been packed – there seems to be no recession in club land. That said, club owners have never been very keen on spending money – particularly on sound systems. One of the biggest issues we have in the audio industry is epitomised by one guy we’re in discussion with at the moment. He’s spent £1.4 million on his club, wants to open it in a few weeks, he still hasn’t made his mind up about sound and is moaning that he hasn’t got any money left. Out of that £1.4 million, he’s worried about £20,000 on sound.”
Besides operating in a relatively healthy sector, another factor helping Ohm ride out the rough times is its thriving export business. “It has certainly been the mainstay of our activities over the past few years,” he says. “The company is based in Cheshire, but we have a factory in Poland, which we’ve had for about 15 years and Poland is a good market for us as well, with a growing economy. Some of the nightclubs they are putting together in Poland now are really very nice and we’re lucky that we are established in that market.
“We also have a factory in China and they also look after our sales in the region, which has been another developing market. They’re keen on Europe-made products and we are finding some excellent business in hotels. For example, in one they have 120 rooms, each with a karaoke set up and a pro-quality audio system that we’ve supplied – the sort of system that would sell here for a couple of thousand pounds each.
“Another area we’re doing a lot of business is in India, where they are spending lots of money on big hotels and they don’t think of stinting on the sound systems.”
Ohm, it turns out, is also tremendously busy in Korea – another export market where it has become a significant supplier, notably in the country’s huge house of worship sector.
To supply these growing demands, Ohm now offers a wide range of products, designed in the UK by a team led by company founder, Jo Olenski. They range from an installation ceiling speaker to a stadium speaker, with amplifiers and all the associated products in between.
“We’ve got something that will cover every application from ceiling speakers in a wedding room, through churches, schools, bars, pubs, nightclubs, sports stadiums - really anywhere there’s sound, we’ve got a product to suit. We don’t specialise in anything in particular, for example we don't say we do swimming pool speakers, but we do have speakers that can be used in swimming pools and we know what needs to be done to get them to work properly. And all our users are served by our dealer network or by the rental company involved in a particular project.”
Ohm has an impressive client list, too, including such prestigious venues as the Vienna State Opera House, The National Gallery in London, Moscow Airport and the largest dance club in Northwest England – the 5,000-capacity Blackpool Syndicate.
Though Ohm does offer line arrays (indeed, they are quite frequently included in its club systems), the company’s main live rental sound system at present is a ground stack, Kinton says. “That’s our TRS system and the main market for that is live sound festivals. Big act touring tends to go for line array, of course, and we’ve not been in that market, though we will be launching some line array systems at the Frankfurt show, later this year – a double ten-inch and a single 12-inch.”
The existing speakers in the TRS line vary from the dual 12-inch TRS-212 to the TRS 118H, along with a range of subs. Cabinets in the series are made from 18mm birch plywood, finished in eco friendly anthracite paint. High SPLs have made the speakers ideal for club installations, as well as FOH and monitor applications.
“It’s a very funny market, the line array business. Once a big touring company has bought its line array, that’s it – they’re not going to buy another and there are companies who have virtually given stuff away to get into the market. We’re not into that, but we’ve got a customer base that is already using our equipment, who have said to us that if we had a line array, they’d use it, so that’s what we are going to offer.”
Not only does Ohm have a range that embraces most audio applications, but it is unusual in the way it sources supply – it makes everything itself. “About 90 per cent of what we sell, we make ourselves,” he says. “We make all the wooden boxes, we make the drivers, for example, and all the professional products are cast basket drivers, even down to our six-inch speakers. Little things make the difference and enable you to keep control over the manufacturing quality, which is so important.”
If that comes as a surprise, so does the actual size of the company. Ohm currently employs about 100 people worldwide, Kinton reveals. “In the UK there’s about 20 of us and, in fact, we’ve just added two people in the UK factory, which is good at a time when so many are laying people off. We did it because we need the extra people because we do so much ourselves.
“One of the nice things about working this way is that we can have an idea and turn it into a product and be testing it virtually the next morning – it gives us great flexibility and the ability to offer our customers a lot of adaptability. For example, if they suddenly find they’ve got to fly three speakers in the middle of nowhere, we can make a frame for them to do that and we’ve made a lot of fixing frames and flying frames that enable people to do unusual things – we’re that flexible, because we have the metal working, the welding capability and the machinery to do it.
“It’s important to remember there is still business out there,” Kinton says. “It’s quieter than it was, of course, but people are still doing things and export is still good to Northern Europe and also to Eastern Europe, like Slovakia, where every little town seems to be getting its own club.”
Ohm might have been playing down its success in the UK market in recent years, but one thing seems sure – they have certainly been making a heck of a lot of noise overseas.
www.ohm.co.uk
Other Features
- Sky High Audio
Mar 11
- Friendly formats
Mar 11
- PLASA Focus: Leeds 2010
Mar 09
- PRODUCT REVIEW: AMS Neve’s 2254/R compressor
Mar 05
- NEWS ANALYSIS: Oakley outlines plans for Midas
Mar 01
- COMPANY PROFILE: Red Square Audio
Feb 19
- INTERVIEW: Sheldon Radford of the Venue team
Feb 12
- Interview: Billy Childish
Feb 12
- Women's Audio Mission
Feb 10
- Behind the Board with Phil Harding
Jan 29
- Extreme audio
Jan 20
- Studio Tips: Screen Burn
Jan 15
- Digital potential
Jan 11
- PRODUCT REVIEW: Analogue Tube AT-101
Dec 30
- K-Array at Kerrang! Battle of the Bands
Dec 23
- INTERVIEW: Behringer touches Midas
Dec 22
- INTERVIEW: Recording engineer Haydn Bendall
Dec 16
- SECTOR SPOTLIGHT: Studio outboard
Dec 16
- INTERVIEW: Mew’s FOH Sune Snellman Jakobsen
Dec 16
- PRODUCT FOCUS: Studio microphones
Dec 11
- Stadium Standards
Dec 09
- Final flourishes
Dec 07
- INTERVIEW: Allen Heath MD Glenn Rogers
Nov 27
- PRODUCT REVIEW: Ableton Live
Nov 20
- PRODUCT REVIEW: SSL X-Desk
Nov 17
- LIVE SOUND: Interview with Gavin McComb
Nov 12
- IBC 2009: post-show review
Nov 05
- Purchasing Power
Nov 03
- PLASA 09 post show review
Oct 27
- LIVE SOUND: Notting Hill Carnival
Oct 22
- INTERVIEW: Engineer John Agnello
Oct 21
- SECTOR SPOTLIGHT: Stage wedges
Oct 15
- PRODUCT REVIEW: TL Audio 5052 stereo valve processor
Oct 14
- INTERVIEW: Producer Steve Levine
Oct 09
- Little Black Box
Oct 05
- Wine, women, and tobacco can ruin a man…
Oct 05
- Ditch the Glitch
Oct 05
- Roll without the rock
Oct 01
- INTERVIEW: Jacko and Quincy Jones' engineer Bruce Swedien
Sep 17
- SECTOR SPOTLIGHT: Large format PA
Sep 17
- IBC 09: Show preview
Sep 11
- Remastering The Beatles
Sep 08
- Solace Studios – Rwanda’s premier recording facility
Aug 19
- ABTT Theatre Show review
Aug 14
- LIVE SOUND: Glastonbury 2009
Aug 11
- SECTOR SPOTLIGHT: Microphones for live events
Aug 07
- Studio Tips: August
Aug 05
- INTERVIEW: Electric Mastering’s Chris Potter
Jul 31
- SECTOR SPOTLIGHT: Live Digital Consoles
Jul 29
- PRODUCT REVIEW: Langevin Mini Massive Stereo eq
Jul 24
- INTERVIEW: Mark Gardener of Ride
Jul 21
- SECTOR SPOTLIGHT: Used gear
Jul 09
- COMPANY PROFILE: Sound Division
Jul 01
- PRODUCT FOCUS: Personal Monitoring
Jun 23
- Product Review: Crown I-Tech 12000 HD Series amp
Jun 23
- INTERVIEW: Harvey Birrell of Southern Studios
Jun 17
- INTERVIEW: Charlie Watkins
Jun 12
- ABTT: 2009 show preview
Jun 08
- Studio Tips: June 2009
Jun 02
- INTERVIEW: System Designer Derrick Zieba
Jun 01
- PLASA Focus
Jun 01
- Prolight+Sound 2009 review
Jun 01
- UK Festival Focus
May 21
- Two decades of sound
May 19
- Crossover Value: Loudspeaker Management Systems
May 15
- INTERVIEW: Recording engineer Ken Thomas
May 11
- THEATRE SOUND: Thriller the musical
May 01
- CLUB SOUND: Void Acoustics in Scandinavian night clubs
Apr 22
- INTERVIEW: Britannia Row's Mikey Gibbard
Apr 15
- PRODUCT FOCUS: Small format PA
Apr 06
- INTERVIEW: 'Big Mick' Hughes
Mar 24
- Sound for The Brit Awards
Mar 24
- PROLIGHT + SOUND 2009: Event Preview
Mar 23
- VMB’s Towerlift systems
Mar 13
- POWER AMPS: The racks driving the big systems
Mar 11
- BEHIND THE BOARD with Peter Katis
Mar 09
- INTERVIEW: Andy Nissley, FOH for Innerpartysystem
Mar 04
- CROSSRAIL ONE: How new train lines will effect Soho studios
Mar 04
- PRODUCT REVIEW: Universal Audio UAD-2 Nevana 182 card
Jan 22
- PRODUCT FOCUS: Digital Audio Workstations
Jan 22
- SECTOR SPOTLIGHT: Night club sound
Jan 21
- INTERVIEW: Producer Tony Platt
Jan 21
- COMPANY PROFILE: Palmer Audio Tools
Jan 21
- Eventech Scotland 2009: Show Preview
Jan 21
- ISE 2009: show preview
Jan 21
- INTERVIEW: Stuart Hallerman of Avast! Recording Co.
Jan 14
- PRODUCT REVIEW: Aviom 6461m mic pre
Jan 13
- Live Sound: Primal Scream
Jan 02
- NAMM 2009 Preview
Jan 02
- Live Sound: Razorlight
Jan 02
- Sector Spotlight: Arena Sound
Dec 18
- Interview: Roland Systems Group
Dec 18
- The Sixth Member: Live sound with Mercury Rev
Dec 15
- Live Sound: The Stranglers
Dec 15
- evenTech Ireland preview
Nov 10
- TEC Awards 2008
Nov 10
- Quick fix trix
Nov 10
- Mastering Studios: Pipers at the gates of dawn
Nov 10
- Interview: Miles Hillyard, SSE’s senior project manager
Nov 10
- Interview: Don Zientara
Nov 10
- Credit crunched: How to handle insolvency
Nov 10
- Company Profile: VMB
Nov 10
- Company Profile: Alcons Audio
Nov 10
- 125th AES Convention: Post show report
Nov 10
- Speaker management systems
Nov 07
- Going his own way
Nov 03
- Live Sound for Beauty and The Beast UK tour
Oct 06
- Live Sound at Bestival 2008
Oct 06
- Interview: Producer and engineer Markus Dravs
Oct 06
- Dissertation: Tony Andrews of Funktion-One
Oct 06
- Acoustics: Andy Munro
Oct 06
- A global gathering
Oct 06
- 125th AES Convention
Oct 06
- Mad sound for My Bloody Valentine
Sep 25
- Shooting from the hip
Sep 05
- PLASA Essentials
Sep 04
- A little pot of gold
Jul 30
- QSC company profile
Jul 30
- Vorndick shimmers with Mercenary
Jul 25
- Fully Funktioning
Jul 17
- Not over the Tannoy yet
Jul 17
- Live Sound for Glastonbury 2008
Jul 17
- Beat the bad debt blues
Jul 17
- What you got up top?
Jun 06
- The new deal
May 30
- Have you got protection?
May 30
- Living the Hi life
May 16
- Interview: Ed Stasium
May 06
- Tahir Basheer
May 06
- Cooking up a storm
May 06
- Rebranding and Remodelling
Apr 11
- Counterfeit Crime
Mar 31
- The sound behind The Brits
Mar 06
- QSC sounds out the Olympics
Mar 06
- The Great UK Radio Spectrum Debate - Updated
Feb 12
- Behind the Board with ... David Best
Feb 11
- Behind the Board with ... Don 'Dodger' Dodge
Jan 21
- A Brand New Experience - DiGiCo on the road with Gary Moore
Jan 21
- Behind the board with... Wes Maebe
Dec 21
- Burning ambition - Sounding out Burning Man in Nevada
Dec 20
- Behind the board with... Paul 'Pab' Boothroyd
Oct 18
- Welcome to audio PRO International
Sep 05
- Gore Blimey
Sep 05
- Sounding out the Ministry
Sep 05
- A two dimensional argument
Sep 05
- Behind the board with... Dave Rat
Sep 05
- A royal surprise
Nov 30






