Last month saw Sennheiser UK celebrate its 10th anniversary of providing support to the annual BRIT Awards ceremony, with London’s O2 Arena hosting the prestigious show for the second year.
“Sennheiser has had the pleasure of assisting on the BRITs since being invited by sound designer Derrick Zieba and Britannia Row back in 2002,” said Sennheiser UK artist relations manager, Mark Saunders. “Initially, this was to support the large amount of Sennheiser equipment that was being used on the show. Since then, both Andy Lillywhite [Sennheiser UK’s chief engineer] and I have been on-site throughout the rehearsals and shows, providing technical back up to the Brit Row crews, supplementing odd bits of extra kit and, where required, providing some extra not-quite-off-the-shelf type solutions for specific performances on the show.”
This type of support allows the company to demonstrate the quality its equipment as well as its dedication to supporting its customers, especially when specifying and putting it to use in such an environment as a live television awards ceremony.
“The support and presence at the BRITs also shows incoming engineers/production managers that Sennheiser takes its support/endorsement programme very seriously,” continued Saunders. “Over the years the response has been hugely positive – the crews are always glad to see someone that can provide a back up to the main show crew. Very few manufacturers are in a position to - or choose to - do this, and it helps people understand that they are not just buying a box off the shelf.”
This years BRITS saw 17 channels of Sennheiser IEMs (G3s and 2000 series) plus 36 packs for host James Cordon and the performers; ten channels of EM 3732 dual receivers with SKM 5200 handhelds – again for Cordon, guest presenters, performers and Award winners; 12 channels of EM 2050 dual receivers with SKM 2000 hand-helds and SK 500 transmitter packs for the compere, performers and for backline radio for instruments.Article continues below
Furthermore, Briannia Row’s shout system comprised Sennheiser IEMs/headset transmitter systems with multiple channels of Sennheiser 2000 IEMs in use with Coldplay, who also used their own equipment.
“The support from Sennheiser is excellent,” commented James Berry, monitor engineer for Bruno Mars, who performed at the show. “We only have a two minute changeover time, which is pretty tight, and having Mark and Andy here makes the process much smoother.”
“Sennheiser comes through every time,” said double award winner Adele’s FOH engineer Dave McDonald. “Mark being here makes my life so much easier.”
Zieba added: "Mark and Andy's consistent support on the Brits for over a decade has truly been invaluable and puts Sennheiser head and shoulders above other suppliers in this industry. As the Live Sound Supervisor on the Brits it helps me put visiting engineers and their artists at ease knowing they have such a skilled and dedicated team working with us on site."
Other performers using Sennheiser equipment on the night included Florence and the Machine, with a custom SKM 5200 with 5235 capsule, and double award winner Ed Sheeran, with his custom e 935 vocal mic.
Having been involved in the event for a decade, Saunders recalls some memorable moments: “In 2003, we had to provide a quick fire solution so that the 20 drummers drumming along to Avril Lavigne and her band were in time throughout the performance. We also had to ensure that two side-by-side, full stages (during the years at Earls Court when there were A and B stages flip flopping acts) were fully covered by the RF and didn’t interfere with each other. There have also been various B stages, thrusts and long distances that needed to be covered, including Take That in the roof of Earls Court, and as they descended down to stage level for the performance.
“The move from Earls Court to The 02 presented certain RF challenges, but we have consistently helped to make 60-70 plus channels of RF work in tricky environments over the years and we are extremely proud to have been able to do so.”